Slate reviews new Mr. and Mrs. Smith
Donald Glover turns what was once a thrilling cat-and-mouse game into an extended therapy session punctuated by occasional gunfire
Sane Perspective
Hollywood's Obsession with Regurgitating Success Stories
Hollywood, in its infinite lack of originality, has decided to exhume the corpse of "Mr. & Mrs. Smith" and parade it around for the streaming era, this time casting Donald Glover and Maya Erskine in roles once defined by the kind of chemistry that could start wildfires. It seems Tinseltown's creative drought has them convinced that the only way to quench our thirst is by serving us the same wine in a new bottle. Glover and Erskine, no doubt talented in their realms, are now tasked with filling boots so large they could host their own ecosystems. This remake attempts to swap out the sultry allure of its predecessors with something akin to the relatable charm of a rom-com, essentially turning a sizzling steak dinner into a lukewarm vegan substitute. The series aims to shift focus from the impossible to emulate chemistry of Brangelina to the kind of awkward, fumbling interactions you might find yourself in if you accidentally swiped right on your accountant.
From Steamy Action to Marital Therapy
Gone are the days of steamy glances and bodies intertwined in a dance of death and desire; welcome to the era where fart jokes and dishwashing debates are the height of intimacy. Glover and Erskine's iteration of the Smiths trades bullet-dodging for bed-sharing dilemmas, offering a "real" look at marriage under the guise of assassins pretending to be suburbanites. As if the sanctity of marriage needed any more threats, Hollywood decides it's ripe for the comedic taking, turning what was once a thrilling cat-and-mouse game into an extended therapy session punctuated by occasional gunfire. The series dives deep into the mundane, celebrating the banality of domestic life with the kind of fervor usually reserved for discovering a new wrinkle. As they navigate the treacherous waters of trust, resentment, and the dreaded conversation about having kids, Glover and Erskine do their best to convince us that this is the same thrilling concept, just with more navel-gazing and less neck-snapping.